Two more shots of an older June posing at her home with Arthur Howell in 1987 and taken by Itsgardin. The rest of these shots that I’ve published so far can be found here, but these two are great semi candid shots with the last one showing June enjoying a tipple of white wine. The glass looks empty to me, so she either downed it or it wasn’t full when the shot was taken.
Thanks to Itsgardin for these two great shots.
A beautiful pose and shot of June taken by Itsgardin at Scotlee Studio in 1979, nothing more to say really other than enjoy!
Well blow the smoke from my gun! It’s June posing as a cowgirl including gun and holster, although I prefer the white boots and sheer panties 🙂 Taken by Itsgardin at Strobe Studio’s in 1979.
After posting this image by John W of a younger June posing on a dining room chair in a supposed Hotel room, Itsgardin contacted me to confirm that actually the place wasn’t a hotel or set at strobe, but at June and Arthur’s house. He then followed that up with the above image taken in 1987, which clearly shows an older June sitting on the same chair! I suppose there is a chance the chair or chairs were at Strobe and once they closed it down took the chairs home, but at least we know where they ended up!
A very odd title for this post I know, but bare with me (pun intended!) After publishing this post mentioning the fabled sheepskin rugs that appear in many shots from Strobe, itsgarden contacted me to give me this great little story about the said rugs.
‘As to the sheepskins, as you can imagine floor boards can be pretty hard to sit on/lie on for a couple of hours whilst posing for photographs. So when I first met June at ScotLee Studios the only complaint she ever had been the hardness of floor boards and the marks on her body they left. So being a country boy, I suggested she used sheepskin rugs to make the floor softer and to prevent marks on her from pressure points. I duly supplied 6 full-sized sheepskins to Brian Scott at Scotlee and another 6 to Arthur when I started to use Strobe Studios. She was forever grateful.’
So, there we have it, the origins of the fabled sheepskin rugs and where they came from and why they appear in so many shots! Well done Itsgardin as you are quite right, June didn’t need her delicate pressure points up against those hard floorboards, that just wouldn’t have done and thanks for the great story 🙂
Oh and the above shot of Itsgardin was used because there was some rug in the background and I love the sheer nightie showing her great tits and it was taken at the Scotlee studio’s in 1979
Two shots from Itsgardin looking down from above and giving us a great view of June’s endowed chest up close! Taken at Strobe Studio’s in 1982, we also get to see the beloved sheepskin rug in use once more! What a position to find yourself in, stood over June looking down at her exposed ample chest! Oh what thoughts!
June Palmer posing for Itsgardin at Scotlee Studio’s in 1979. Another great shot of her from Itsgardin, but ladders and steps seem to be a staple diet as a prop back then!
Another from Itsgardin’s own private collection of June images shot between 1975 and 1987. This one is from 1987 and shot by Itsgardin at the home of Arthur Howell, with June looking coy as she lifts up her short black negligee to reveal her body below!
