Wanda Liddell – All That Shines!

Wanda Lidell from a restored 35mm colour slide sent over by Paul from Firebird Records and part of a small set I have of Wanda on this very shiny set!

Lots going on in this shot of Wanda from her wig to the black PVC outfit and pink contrasting negligee or you may be distracted by her figure, thick pussy or silver background, but all with a great smile. What I noticed in this shot and others is she also had a nasty scar going down from her belly button stopping just above her pubic area, with it more noticeable in some shots?

Naughty Nicole! (Original)

A very natural view of Nicole Yerner by Harrison Marks as she poses outdoors at Ewhurst Manor from the same set as this shot. And you can’t say you don’t see the full on natural side of Nicole in this shot, beautiful view πŸ™‚

A big thank you to Ray for sending this shot of Nicole over

The Amorous Masseuse (Original)

After my post about Eva Nieman and ‘The Amorous Masseur’ I found an original still from the other Harrison Marks Glamour Film ‘The Amorous Masseuse’ in my collection, but I didn’t realize it was from that film until now. This film featured Yvonne Paul (left) and Toni Lee (right) and was again produced in a black and white version and a Super 8 colour version from Ekstase film No.E 317 titled Die Liebesvolle Masseuse. The summary of the film lists `Toni Lee and Yvonne Paulle in The Amorous Masseuse` – A busty female wearing white knee-high boots exposes her nude bum while preparing a bath, the bath is round and recessed into the floor. A second female enters and steps into the bath, the two females wash, caress and kiss each-other. Full nudity, but again both versions seem to be softcore versions.

I love Yvonne in this shot with her very 1960’s hair style and wearing suspender belt and black stockings showing off that beautiful full bush. Sorry, but I don’t have a copy of either version of the film, unless someone can send me a copy to add?

Incidentally Yvonne also starred in the 1971 GHM film Pattern of Evil, also known as Fornicon, plus an edited version in 1979 that included hardcore scenes titled Blue Perfume. She then went on to star in the ‘Benny Hill Show’ and in 1971 started up her own modelling agency called ‘Blondes’ that had the likes of Maria Whittaker on the books.

Another great film still and two more models identified πŸ™‚

The Amorous Masseur (Video)

Another still of Eva Nieman from the set of the Harrison Marks glamour film ‘The Amorous Masseur’ distributed by Maximus films. The 9 minute film itself, which can be seen by members below features Eva and a male enjoying a massage at a sauna and at Eva’s home, although the massage tends to be very one sided! Towards the end of the film things get very amorous, but nothing too risquΓ© in this film, although Eva doesn’t really look like she’s enjoying things, simulated or not! There was also a colour version of the film produced and as with most of GHM’s later glamour films it was for the German market and distributed by Ekstase Film under the title No.E 502 – Die Liebes-Sauna. Although the colour version still seems to be a softcore version with nudity and simulated sex at the end, which is surprising as the versions published for the European market tended to be harder versions!

This film shouldn’t be confused with the similar title ‘The Amorous Masseuse’ featuring Toni Lee and Yvonne Paul, which was an all female affair.

Thanks again to Ray for the uncensored shot of Eva from The Amorous Masseur and to Pirate Pete for a copy of the actual film πŸ™‚

June Palmer – For All To See! (Original)

A studio shot of a maturing June Palmer from the 1970’s. Not much I really need to say as it’s all there for you to see. Her figure looks as fabulous as ever, even if starting to slightly round out, which isn’t a bad thing. plus a great view of her round tits and natural bush.

You can’t beat the classic poses of June during her early career, but these later shots still have their place and show you that she still had considerable sex appeal even in her later career πŸ™‚