Toni Burnett from Kamera No.73 P4 (1966) posing in opened blouse giving us just a peak of one of her small perky tits. Beautiful shot and no wonder Harrison Marks fell for her and made her his third wife in 1973.
Sophia Dawn taken by Harrison Marks on a railway track down in Cornwall. I’ve seen this location used several times by GHM, but this shot has to be my favourite, as I love the pose from Sophia plus the wonderful smile. Taken on location down in Devon, not far from Bedruthan and it’s famous beach and steps I would guess? I bet her bum was cold on that track!
Update: Thanks to Omigosh who thinks the train track is Pencarrow on the Wenford Bridge line – very few trains , so “safe” and only a dozen or so miles from Bedruthan.
A stunning rear view shot of an unknown ebony model by Harrison Marks. I’ve posted one shot of this model before here from Nature’s Intention Vol.1 No.2, but until recently when I acquired the above negative that was all I had of her. I think it was her perfectly round arse, a stunning figure and wide smile that attracted me to this shot, but still wished I had more of her.
I’m sure she must have appeared in Kamera at some point, but no idea where, so must be one of the missing editions in my collection?
Eva Wild showing off her great body and tits from a restored 1950’s print. Not only do we get to see her great figure in this shot, although it doesn’t go low enough for my liking, but she’s also showing of her hairy armpits! A different pose for Eva and underarm hair isn’t everyone’s thing, but still a worthy shot to share.
The models known as Vicky & Stevie (Vaughan) from Kamera No.83 P27 (1967) posing precariously on a swing for Harrison Marks! I’ve published a few shots of Vicky and her harsh hair style before, but only one shot of Stevie here, so time for one of them both together. They tended to appear together and separately in the later editions of Kamera and were the slimmer type of model with smaller tits, rather than some of the more rubenesque models we’ve come to love and know.
A great shot of the two together with lovely smiles as well as everything else on show 🙂
Bea Bea Chu-Chu on the cover of Solo No.22 (1961) by Harrison Marks. Another magazine from the Solo collection providing a complete set of images and poses of one model, this time Bea Bea. Although not one of my favourites you cannot deny she had a great pair of tits on her!
Another model that until recently I’d been unable to identify, whom I’ve now identified as Toni Ash. I have a growing collection of original negatives of Toni, including this one and she seems to have only appeared on 4 pages of the last edition of Kamera No.89 (1968), but this shot isn’t included.
Toni has a very typical late 1960’s look to her facially, but wow what a body she also possessed! Not a slender figure, but definitely one worth looking at, especially with those large round boobs with just the right amount of droop to them. Then there’s that thick untouched pussy that you don’t get to see in the magazines, a perfect addition to the overall look of Toni, plus the obligatory frilly opened negligee! A stunning model now added to the model list 🙂
A beautiful original shot sent over by Kevin that is too good not to share! An unknown model taken in the studio by Harrison Marks, that at first looked a lot like Maria Clarence, but it’s definitely not her. I’ve seen this short haired model before in the pages of Kamera, but the editions escape me at the moment, but what a fabulous figure she has and a cracking pair of nipples too! Not a perfect figure, but then define a perfect figure? But I do love the curve of her tummy in this shot and the use of the shadows all add to making it a very sensuous and appealing shot.
I’ve also added her to the growing list on the unknown models page as unknown No.53, so if anyone can ID her do let me know?
Lorraine Burnett looking very stern on the cover of Kamera No.4 (1957) by Harrison Marks. Obviously not impressed by something as she stands there hands on hips thrusting her ample bosom forwards. Although you can’t take her too seriously stood like like with very little on, now can you?
The ample figure of Maxine (Elaine Ecke) from Kamera Special No.4 P22 (1964). Taken by Harrison Marks with some familiar Parisian posters in the background, Maxine’s ample tits and figure are surrounded by the very familiar long black negligee. Divine curves from Maxine and even the retouching of her lower bits doesn’t look bad in this shot 🙂