Lynn Shaw looking rather stunning as she sits in front of the TV nude, from a restored silver gelatin photo sent over by Girlymag. Not your typical 1950’s ‘Watch With Mother’ content, but it sure would have made my teatime viewing more entertaining than a bit of Andy Pandy or The Flower Pot Men!!
This photo comes from a set of 5 glossy 5½ by 3½ prints advertised in the ‘Harrison Marks Glamour Guide‘ on Page 8, Set No.235 and as a 3D set on Page 18, Set No.71
A restored silver gelatin photo of Lynn Shaw from the late 1950’s and sent over by Girlymag. If ever there was a model that typified the glamour style of the late 1950’s surely it was Lynn. Those lips and her shapely body are as the title says exquisite!
The stunning Lynn Shaw perched nude on a stool from a restored silver gelatin photo sent over from Girlymag. I just realized I’ve also published two other shots of Lynn from this set posing on the stool here.
Lyn Shaw was a stunning model in the late 1950’s and 60’s and there are some beautiful shots of her posing for Harrison Marks in early Kamera issues. What is less common is seeing full frontal shots of her that haven’t been retouched, where we see her fully uncensored pubic region and that magnificent pussy of hers, but this pose is one of them!
Although taken by GHM in the late 1950’s this shot was republished in it’s un-retouched format in Nature’s Intention Vol.1 No.2 (1969).
Lynn (Lyn) Shaw from the inside cover of Carnival Annual (1956) photographed by Russell Gay. Lynn always looks so elegant in the shots I’ve seen and published of her and this is no different, although the strategically placed leaves over her nipples gave me a chuckle.
Two beautifully posed shots of Lynn Shaw by Harrison Marks from the pages of early Kamera editions. The use of light and shadow in the bottom shot works perfectly, capturing her figure and boobs in the shadows.
Two gorgeous shots of the very delectable Lynn Shaw posing nude on a stool from the late 1950’s. Such graceful curves and perfect legs and that’s just the stool! The lighting coming from the left works perfectly to light the face and curves of Lynn’s body.