The magnificent figure and tits of Maxine (Elaine Ecke) taken by Harrison Marks on the loft set. This image comes from an original 35mm Pamar colour slide in my collection that I recently acquired, along with various other slides in a slide box of 100 differing glamour slides including about 20 Harrison Marks Pamar slides, but unfortunately not in their original card slide holders.
It’s been a while, but this is a superb restored shot of Maxine, although it still has a minor magenta tint to it, but shows off her fabulous curves so well as she kneels on that bed with her discarded negligee around her.
The fabulous Maxine (Elaine Ecke) posing for Harrison Marks amongst the hay from Solo No.12 P21 (1959). A whole 32 page magazine dedicated to one of GHM’s early models Maxine, she posed for him before Kamera and Solo were produced and appeared in the likes of Fiesta. Maxine had a stunning rubenesque figure, that was a pleasure to view in all its curvy glory and I see the wagon wheel makes an appearance again 🙂
The ample figure of Maxine (Elaine Ecke) from Kamera Special No.4 P22 (1964). Taken by Harrison Marks with some familiar Parisian posters in the background, Maxine’s ample tits and figure are surrounded by the very familiar long black negligee. Divine curves from Maxine and even the retouching of her lower bits doesn’t look bad in this shot 🙂
Maxine (Elaine Ecke) on the cover of Solo No.12 (1959) by Harrison Marks. Cracking cover shot of Maxine highlighting her skills and those almost perfectly shaped tits that seem just the right size, not too big, but not too small either!
Maxine (Elaine Ecke) showing off her assets to maximum effect through an open top from Kamera Special No.4 (1964). Taken on the loft set by GHM and probably a lot earlier than the publish date of this special, but still a magnificent view.
Two shots of Maxine Ellis (Elaine Ecke) by Harrison Marks posing on the loft set for Kamera Special No.4 (1964). GHM used Maxine on this set with the long black negligee across a number of the Kamera publications, including the cover of Kamera No.28.
Maxine was one of those models, that although she had a big pair of tits on her they didn’t look out of proportion with the rest of her body, as she had a fuller curvy figure to match perfeclty on display in the top shot.
The hair may be different, but the body still looks as good as ever! Maxine (Elaine Ecke) from the mid 1950’s posing nude, but with short darker hair rather than the blonde locks we are used to seeing her with when she posed for Harrison Marks.
Two shots of Maxine Ellis from Fiesta magazine (Nov 1956) posing with a multi-coloured crochet blanket, used in various ways to cover her modesty for some reason. Taken by Harrison Marks these a typical shots for Fiesta at that time, before moving to the slightly more risqué topless views.