A beautiful original shot sent over by Kevin that is too good not to share! An unknown model taken in the studio by Harrison Marks, that at first looked a lot like Maria Clarence, but it’s definitely not her. I’ve seen this short haired model before in the pages of Kamera, but the editions escape me at the moment, but what a fabulous figure she has and a cracking pair of nipples too! Not a perfect figure, but then define a perfect figure? But I do love the curve of her tummy in this shot and the use of the shadows all add to making it a very sensuous and appealing shot.
I’ve also added her to the growing list on the unknown models page as unknown No.53, so if anyone can ID her do let me know?
A beautiful shot of Annlyse posing on a black background for Harrison Marks from an original medium format negative sent over by Kevin. Annlyse wasn’t the most well endowed model to pose for GHM, but she had a cracking figure and a wicked smile. A great shot and I do like the shots GHM took using a black background and lighting to one side to highlight the model.
Vivienne Warren posing in the studio with a few cushions and rug from an original negative by Harrison Marks circa 1963.
Rita Landre (Pamela Green) posing on the Parisian Alley Set by Harrison Marks. This is a scan direct from the negative, but was originally printed in Solo No.13 P40 (1959). I’ve published several shots of Pam as Rita in this location here and think it is one of my favourite sets of her as Rita, including the colour shot of her kneeling! I have several more from the same set, which I will post anon, but thanks to Simon for sending me this and other scans from his Pamela Green collection.
The model only known as Neva from an original negative by Harrison Marks taken on the Beach Set. Unfortunately I have very few shots of Neva, which is a real shame as she has the most fantastic thick lush bush on her!
What I do know is that Neva was from Trinidad and posed for one set of stills in January 1966. Photographs from this, which were taken on the Lantern Cottage set and the adjoining beach set appeared in Kamera No’s 74 & 76, one calendar shot from July 1968 and a further two uncensored shots from Nature’s Intention Vol.1 No.1 (1969), but that’s it.