Another visually stunning shot of the seductive Julie (Shearing) from Solo No.4 P13 (1958) by Harrison Marks. This time a rear view of Julie looking over her shoulder wearing just fishnet stockings and of course her trademark big dangly earrings. What makes this shot so stunning is the view of that perfectly peachy arse and the way her hips glide into her hourglass waist.
Some technical information for the photographers of us out there. This was taken on a Rollei Tessar 3.5 on Weston Film 200 with an exposure of a 10th at f14. Lighting was via a 2000 watts Tungsten light according to the information on the page right under Julies bum 🙂
Another shot of the fabulous Julie Shearing from Solo No.4 P11 (1958) by Harrison Marks. Such an exotic look to her for an English lass probably enhanced by the streaks in her hair and dark eye liner. Either way a favourite early GHM model from the 50’s, although if you ask me everyone is a favourite 🙂
Another visually stunning shot of the seductive Julie (Shearing) from Solo No.4 P8 (1958) by Harrison Marks. This time she is kneeling nude on a sheepskin rug with her hair up, but the trademark big dangly earrings are still there 🙂
I’m having a bit of a Solo session if you hadn’t guessed!
Julie (Shearing) covering her lower region with a towel from an image from Solo No.4 P14 (1958) by Harrison Marks and totally dedicated to images of Julie. We know from previous uncensored images of Julie here, that the towel had plenty to cover!
Another visually stunning shot of the seductive Julie (Shearing) from Solo No.4 (1958) by Harrison Marks. There is something about the make-up and highlights in the hair that give her a Cruella de Vil sort of look 🙂
The visually stunning and equally seductive Julie (Shearing) from Solo No.4 (1958) by Harrison Marks. Julie has to be one of the most exotic looking models that posed for GHM, even though she originated from London and this set of her is no exception. I love the use of the fishing net and once again she’s wearing a set of big earrings, which seems to be part of her signature look. Shots from this same set also appeared in later GHM publications such as Kamera no.7 and Kamera No.40.