I love this set of Rita Landre (Pam Green) on the Alley Set, which appear in Kamera No.23 (1960) and I particularly like the top shot! Wearing just her fur shawl and stockings stood against the Parisian posters, she looks like a very high class lady of the night, waiting for her next gentleman visitor. You can see all of the shots from this set I have so far, including a stunning colour shot here.
A companion to this post of Lorraine Burnett from Kamera No.23 P31 (1960) in long elegant gloves and tiara as she poses in the studio.
A coloured version from Oldiznewagain of Lorraine in her long gloves and tiara and love the choice of red as the glove colour! He has also coloured another shot from this set, which works equally as well with the gloves being red and you can see it here.
Lorraine Burnett on her hands and knees in long black gloves and tiara from Kamera No.23 (1960) A very elegant look from Lorraine and it looks like she’s wearing long dark hair extensions as well!
Pamela Green posing as Rita Landre on the Alley Set, or should it be Parisian Alley set with ‘The Cat’. This came from Kamera No.23 (1960) and was actually titled ‘La Chatte’ and probably one of GHM’s own beloved cats making another guest appearance in one of his shots. I think this set of Rita posing in and around the alley has to be one of my favourites of her.
The prefect puffies of Pat Davis from Kamera No.23 (1959) posing on the loft set and suggestively giving her brush a stroke!
Another great pair in more than one way! Lorraine Burnett and Eve Eden from Kamera No.23 (1959). I’ve seen several sets of these two posing together both colour and black and white, but what a great pairing from Harrison Marks.
A wheely good shot of June Palmer by Harrison Marks from Kamera No.23 (1960), apart from the retouching of the pubic region, which with these full frontal shots looks so unnatural.