The very buxom Ann Day filling the cover of Kamera No.87 (1968) by Harrison Marks. For some reason I thought I’d already published the cover featuring Ann, but looking back through my archive it seems not! I have two copies of this edition and for nearly 50 years old they are in almost immaculate condition, with plenty of images of Ms Day and her massive tits throughout!
Anyone want to make me a reasonable offer for one of the copies?
Marina Jones in the studio by Harrison Marks. A stunning long haired beauty with slender figure and small perky tits with nipples that seemed to be constantly hard 😉
Thanks to member JAS, who sent through these brilliant shots of June Palmer from the 8mm cine film of ‘Calamity June’. This was by Arthur Howell under the Strobe Films banner and was Strobe Films No.1 and these shots were 90mm square still prints made by Strobe back in the 1960’s to publicise the film. A fabulous set of 6 prints (members see all) of June posing at the saloon bar, slowly losing parts of her flimsy cowgirl outfit! JAS has around 25 of these 90mm square prints from Calamity June, Danger Girl and June in Orbit. of which I have the Danger Girl set to also publish 🙂
A scan of an original 35mm colour slide of Gwen Ford posing in a sheer pink babydoll nighty and matching panties. Does it get any better than this when it comes to sheer outfits and this little pink number, not only does the sheer material allow you to see Gwen’s body and tits, but the sheer panties also expose her smooth slit below. Love the addition of pigtails giving a fabulous overall effect from Gwen.
A nice nude rear view of Eva (Eve) Nieman from Carnival Magazine (December 1969). A stunning view of her bum and there are two other pages that feature Eva in the same edition in various poses, mostly topless. Several feature her in a frilly white cap/hat that could even be a shower cap, very bizarre!
A stunning studio shot of June Simpson by Harrison Marks and a stunning view of her nice round bottom as well! A classic GHM shot of June and a beautiful view of her figure, although I’m sure she’s pushing her bottom out for the camera! Another from the set of June posing with those daisy earrings.
An image of Bea Bea Chu-Chu in the studio by Harrison Marks and from an original negative. Interestingly I first thought this was a retouched or censored shot, but as it’s straight from the untouched negative, maybe not? The reason for the question was that in all her other shots she is showing off her very natural dark pussy, whereas here it seems to have gone?
After careful study, I’m still not sure what has happened, you can clearly see hair, but not to the extent of her other shots and it seems almost white? Maybe they powdered it with makeup or something, god knows why or maybe they did something to the area in developing the negative? It certainly looks different that’s for sure, but Bea Bea sure does have a fabulous curvy figure and big round tits, all that distract you in a nice way 🙂
Maria Clarence beautiful and bare from an original negative scan, with the published retouched version of this shot appearing in Kamera No.46 P15 (1962). Her first appearance was in Kamera No.45 (1962) and further photos were published in issues No.46, 47, 48, 50, 55, 56, 60, 61, 66 & No.75. She also appeared in Kamera Special No.3 and six pages in the hardback book ‘She Walks in Beauty’. Maria was chosen for the 1962 Cornwall location shoot and a total of nearly eighty photographs of Maria were published including duos taken with Margaret Nolan and Jane Mathews. There are two known sets of 35mm Colour Slides of Maria, No’s 24 and No.32 with Margaret Nolan from the Cornwall shoot.
A beauty and bare shot of Maria in the studio, but those hairy arms are evident again, but not a lot of hair anywhere else!
